Jeremy Vickery parlera des principes de production d'éclairage pour le film, les principes clefs de la lumière et de la couleur dans le cinéma. Il parlera aussi de la pratique d'éclairage dans Maya et comment accélérer la production et augmenter efficacement la qualité.

Jeremy partagera également sur ses expériences professionnelles au sein de grands studios (PIXAR) et de plus petits studios.

1 - Introduction, demo reel presentation

2 - Understanding Cinematography

• Thinking in color (review of the principles of ligth and color)
• Thinking in motion (review of the principles of cinematography)
• Realism verses Believality
• Q & A

3 - Good Foundations for Production

• The importance of scene organization, preparing a scene for production.
• The sketch method (loose ideas in 2D & 3D to speed production time)
• Studio Communication (10 people verses 200 people)
• Color Keys / Color scripting
• Master Lighting verses Shot Lighting
• Lighting a still verses Lighting  an animated sequence
• Q & A

4 - Practical Lighting in Maya

• Demonstration of the simplicity technique in a sample scene
• Demonstration of a Maya animated sequence (multiple locations, even more shots)
• Master Lighting verses Shot Lighting (part 2)
• End of production problem solving
• Q & A

5 - Big Studio / Small Studio

• WHen to work from home, When to get hired at a studio
• Benefits to both big and small environments
• The importance of mentoring
• Good studios practices
• Demo reels of the past (what got hired, what employers look ffor in a reel)
• Stories from production (working at PIXAR, working as a freelance Artist)

• La Masterclass est éligible àla prise en charge par les OPCA dans la cadre de votre budget de formation.
• Contactez nous pour obtenir la convention de formation.